The KB is kind of frustrating because the "expected behavior" explanation implies this isn't a big deal and won't change. We then found KB article 78402 which points out that by design for backwards compatibility, which really kind of killed my excitement. but then realized the microphone resets to 8K on each reconnection. And we found that going into the microphone properties for the RTAV device on the VM, we are able to increase the microphone sample rate to 16K, which helped a lot. We did use group policy setting "Configure the PCoIP session audio bandwidth limit" to increase audio receive quality as mentioned in KB 2045764. We've got RTAV going with PCOIP (not extending mic or camera via USB) and that is making the video work reasonably well, but where we're really struggling is the audio. (Horizon 7.x on Windows 10 VMs, using PCOIP across the Internet with Windows Horizon Clients). It doesn't take a post on audiogon to find out.Hundreds of watts into a Klipsch speaker, eh? Maybe you should wait until your monsoon season is over, then come back to that particular stadium where.We're really struggling to get a good experience out of Horizon view for video conferences. When a solid state amp clips, any human knows it. It's not that the original quote is necessarily all that far off, as Onhwy61 explained.The attitude however is know-nothingish, and that's the last thing this planet needs.In addition, it does make a difference whether your amp is built by robots. $10000 might, if you spend it on fancy equalizers and the like.Tell us about the room and the answers will become relevant.ĪTI is a brand worth considering, in particular for multichannel amps, and they have a bit of a storefront right here on audiogon. $1000 will not obtain the prescribed result if the room is wrong. I guess it was OK.Sometimes I would hear them at the Hollywood Bowl, but invariably the bass was lean, the treble was distant and the midrange was muffled.But man, when the. I used to listen to the Los Angeles Philharmonic at the Chandler Pavilion. The speakers are your stomach.If you use a digital volume control, you are eating it take-out style, in a styrofoam container and probably reheated with the microwave.If you use an excellent preamp. The craftsmanship you're looking for is there in spades.He's made many albums but this seems to be a high point. There's a limit to how much you can fight the physics. The output stage is what separates the wheat from the chaff in DACs and you will not be shortchanged there. You will not be complaining about missing any part of the spectrum, that's for sure. On this one, if it's a bulb, turn it off when you don't use it.Honestly, of all the stupid advice y. Never turn off your tubes, just like you never turn out the lights in your house when you leave.Oh, wait, that advice was meant for another planet. Definitely a NOS DAC, no hi-rez options there, so if you do not need that then you're set. I've been using the WD "Green" drives forever, I've had one drive misbehave out of about thirty.These folks make excellent cases, they are quiet and great uptime,Dec 23, 2011Ī used Van Alstine will come in well under $1k nowadays and that's just a ridiculous bargain. I'll second Mrmb's observation regarding hard drive requirements. If you like your Songtowers then, well first of all not a big surprise, second of all, might as well stick with the manufacturer since he. If your room is mid-sized and you don't listen to rock music "loud", then really your options are wide open. Digital equalization is the way to go.If you use a Mac, install Audio Hijack Pro, get an SPL meter, play 1/3 decade tones and fiddle with the 31-band graphic equalizer.Speakers in the corner are often seen as a curse, but with access to an equaliz.
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